Cooper Fullface Wordshape

2 fonts
$23.22

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  • Cooper Fullface - Medium Italic
  • Cooper Fullface - Fancy Medium Italic
  • Cooper Fullface - Medium Italic
  • Cooper Fullface - Fancy Medium Italic
  • Cooper Fullface - Medium Italic
  • Cooper Fullface - Fancy Medium Italic
  • Cooper Fullface - Medium Italic
  • Cooper Fullface - Fancy Medium Italic
  • Cooper Fullface - Medium Italic
  • Cooper Fullface - Fancy Medium Italic
  • Cooper Fullface - Medium Italic
  • Cooper Fullface - Fancy Medium Italic
  • Mixed Case AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz…
  • All Upper Case ABCDEFGHIJKLMNOPQRSTUVWXYZ…
  • Numbers 1234567890…
  • Punctuation !@£$%^&*()…
  • Language Support ÀàÁáÂâÄäÅãĀ…
  • Lorem Ipsum Lorem ipsum dolor sit…
  • Specific Phrase Pack my box with five dozen liquor jugs…
A
A
  • #DFFCFE
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  • #3BE1E3
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  • #29ABAD
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  • #E5E5E5
  • #BFBFBF
  • #7F7F7F
  • #404040
  • #000000
  • Cooper Fullface - Medium Italic
  • Cooper Fullface - Fancy Medium Italic
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There are 242 glyphs contained in this font, including OpenType variants accessible via OpenType applications.

Desktop Licence

This is the most common type of font license, allowing you to install a font on your desktop computer or laptop for use in all major desktop software pages such as InDesign, Word, Illustrator, and Photoshop, in both Mac and Windows. You can then use your fonts for making and printing documents, and also in images that contain the font as a graphic. You need to register the font for every computer where it will be used, so be sure to purchase the correct number of computer users.

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Webfont Licence

This gives you the permission to use a font on your website, allowing it to be properly displayed in any web browser. By selecting the webfont license you will receive fonts with the CSS rule @font-face only. Webfonts can’t be installed for use in design, layout, illustration, word-processing or other programs on your computer, they are for online usage only as you will also need a Desktop license for that type of usage. Webfonts are licensed for a monthly number of page views, and also for the number of domains where they are used. See our webfont FAQ section for more detailed information on this.

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eBook Licence

Our eBook license provides you with the rights for the font to appear in any format that uses embedded e-text, such as any digital book, magazine, or publication. Our eBook fonts are licensed for the total number of published titles.

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Application Licence

This gives you permission to use a font in iOS, Android, Google, or Windows Phone applications on hand-held devices. Our application fonts are unlimited, so once you’ve licensed the font you can install it in as many applications as you like.

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Server Licence

This allows fonts to be used in online applications where the user creates personalized products containing fonts that aren’t licensed to them personally. This includes posters, gift cards, clothing, mugs, business cards, stickers, wedding invitations, device cases, and other personalised gifts. This is a one-year license that needs to be renewed, and the cost is based on the number of servers where the font is installed, hence the name.

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Gaming Licence

Our gaming license allows you to install fonts within video games on any platform or device. It also allows the installation of fonts within gambling devices, portable or kiosk-style, as well as any online, tablet, or mobile related gaming device. Usage is granted according to the total number of devices specified on purchase. So… if you’re looking to launch your game on three platforms, for example PS4, iOS, and Android, then you’ll need three gaming licenses.

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Available Buying Options: Desktop, Webfont, Extended.

About this font

This typeface is the definitive version of Oswald Bruce Cooper’s lost typeface Cooper Fullface Italic. At the end of 1927, Oswald Bruce Cooper yearned to create a heavy “modern” face- akin to Broadway and other display types in height and proportion, but more nuanced while being a dense, black type. The Barnhart Brothers & Spindler foundry, for whom Cooper had designed a number of typefaces, saw the potential of the typeface as a big seller. Richard McArther, General Manager of the foundry, referred to it as “the hotsy stuff”, though he was highly critical of a number of characters in the original design. He requested a successive number of modifications, including the addition of Dwiggins-inspired serifs to the face to make it stand apart from similarly-weighted typefaces then on the market. He wanted to imbue the face with a considerable amount of "old-timey" flavor in order to impart a sense of originality to the face and have it sell across both Modern and Bodoni/Didot market segments. The resulting typeface was called Cooper Fullface, a jaunty and swollen caricature of a Didone with great potential for display advertising work. The final form of the face was a regulated and consistent balance of cartoonishness and earnest visual braggadocio, the bouncy, circus fairway-like swing of the original drawings of the letters taken down considerably and figures redrawn and redrawn for maximum readability. A specimen sheet was mailed out in 1929, and generated moderate sales, but too late- Barnhart Brothers & Spindler closed its foundry division shortly thereafter as part of ATF’s corporate roll-up of manufacturing. The American Type Founders continued to produce the face and sell it at a decent pace, renaming it Cooper Modern. Cooper designed a matching italic for Cooper Fullface, but it was never released. The BB&S foundry closure resulted in the foundry equipment being shipped to New Jersey a few weeks shy of the typeface’s completion. It is unfortunate, as the accompanying italic is perhaps Cooper’s masterpiece, a lively Bodoni-esque italic with more than a bit of influence from 19th Century display types, particularly in the treatment of the ball serifs on the uppercase “A”, “J”, “M”, and “N”. Cooper Fullface Italic stands as the until-now missing bookend to Cooper’s career as a type designer. This digital release is the revival of that lost Cooper typeface, Cooper Fullface Italic. Within are two typefaces- Cooper Fullface Italic and Cooper Fullface Italic Fancy. The two faces span the range of Cooper’s original drawings- the Fancy typeface utilizing a number of alternate characters. These two typefaces are the result of researching Cooper’s original drawings and series of engraved proofs for both typefaces. The typefaces include the original ligatures, original Oz Cooper ornaments, fancy swash characters, and a range of punctuation and diacritics, et al, that fill out a full character set. The typefaces have been lovingly kerned for the smoothest result in text setting.

Languages Supported

Albanian, Alsatian, Aragonese, Arapaho, Arrernte, Asturian, Aymara, Basque, Bislama, Breton, Cebuano, Chamorro, Cheyenne, Corsican, Danish, Dutch, English, Estonian, Faroese, Fijian, Finnish, French, French Creole (Saint Lucia), Frisian, Galician, Genoese, German, Gilbertese (Kiribati), Greenlandic, Haitian Creole, Hiligaynon, Hmong, Hopi, Ibanag, Iloko (Ilokano), Indonesian, Interglossa (Glosa), Interlingua, Irish (Gaelic), Islandic, Italian, Jèrriais, Lojban, Lombard, Luxembourgian, Malagasy, Manx, Mohawk, Norfolk/Pitcairnese, Northern Sotho (Pedi), Norwegian, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Portuguese, Potawatomi, Rhaeto-Romance, Romansh (Rumantsch), Rotokas, Sami (Lule), Samoan, Sardinian (Sardu), Scots (Gaelic), Seychellois Creole (Seselwa), Shona, Sicilian, Somali, Southern Ndebele, Southern Sotho (Sesotho), Spanish, Swahili, Swati/Swazi, Swedish, Tagalog (Filipino/Pilipino), Tetum (Tetun), Tok Pisin, Tswana, Uyghur (Latinized), Volapük, Votic (Latinized), Walloon, Warlpiri, Xhosa, Yapese, Zulu

Available Formats

Opentype (OTF)
@Font-Face Webfont

Compatibility

Mac & PC Compatible